A Cold Legacy

Author: Megan Shepard
Series: The Madman's Daughter, #2
Publisher: Balzer + Bray
Release Date: January 27, 2015

After killing the men who tried to steal her father's research, Juliet—along with Montgomery, Lucy, Balthazar, and a deathly ill Edward—has escaped to a remote estate on the Scottish moors. Owned by the enigmatic Elizabeth von Stein, the mansion is full of mysteries and unexplained oddities: dead bodies in the basement, secret passages, and fortune-tellers who seem to know Juliet's secrets. Though it appears to be a safe haven, Juliet fears new dangers may be present within the manor's own walls.

Then Juliet uncovers the truth about the manor's long history of scientific experimentation—and her own intended role in it—forcing her to determine where the line falls between right and wrong, life and death, magic and science, and promises and secrets. And she must decide if she'll follow her father's dark footsteps or her mother's tragic ones, or whether she'll make her own.

With inspiration from Mary Shelley's Frankenstein, this breathless conclusion to the Madman's Daughter trilogy is about the things we'll sacrifice to save those we love—even our own humanity.

I can't remember how long I've put off finishing the Madman's Daughter trilogy, but I've finally done it. And what, might you ask, is the final verdict?

Eh, it's alright.

I feel like this book is sort of an attempt to right the wrongs in the previous books—and I can appreciate that—but it's not pulled off very well. There's a lot of noticeable repetition when it comes to themes, characterization, and writing in a way that doesn't feel unique. Juliet continues to whine about herself, Lucy keeps obsessing over Edward, and the list goes on.

At the very least, it's toned down much more than it was previously, and these issues are addressed in a more satisfying matter. If I had to give an example that wasn't spoiler-y, I'd say Lucy was a nicer character. I could understand her thinking better with her transition from a socialite to an fugitive. I still didn't root for her relationship with Edward, but I was more tolerant towards it.

Most of Juliet's problems seem to stem from her passing off her own suspicions, which was very annoying. It was hard for me to suspend my disbelief when it seemed like their conflicts could be solved much easier. Everything felt so long and drawn out that I found myself eager to hurry towards the end.

I could give the author points for a few things: Baltazar is still a lovable cinnamon roll. Jack Serra was the highlight out of the whole cast, although the female side characters, such as Moira, McKinna, and Elizabeth, were pretty great. I loved the observatory and Ballentyne being a place for disabled girls. There was a powerful message about identity and coming-of-age, which I thought was fit in splendidly. Keeping my personal taste aside and the story in mind, A Cold Legacy is an almost perfect conclusion.

Orphan Train

Author: Christina Baker Kline
Series: None
Publisher: William Morrow Paperbacks
Release Date: April 2, 2013

Orphan Train is a gripping story of friendship and second chances from Christina Baker Kline, author of Bird in Hand and The Way Life Should Be.

Penobscot Indian Molly Ayer is close to "aging out" out of the foster care system. A community service position helping an elderly woman clean out her home is the only thing keeping Molly out of juvie and worse...

As she helps Vivian sort through her possessions and memories, Molly learns that she and Vivian aren't as different as they seem to be. A young Irish immigrant orphaned in New York City, Vivian was put on a train to the Midwest with hundreds of other children whose destinies would be determined by luck and chance.

Molly discovers that she has the power to help Vivian find answers to mysteries that have haunted her for her entire life–answers that will ultimately free them both.

Rich in detail and epic in scope, Orphan Train by Christina Baker Kline is a powerful novel of upheaval and resilience, of unexpected friendship, and of the secrets we carry that keep us from finding out who we are.

Interesting.

Contemporary has never been my cup of tea but if there was a single word that could sum up my experience reading Orphan Train, it would be... interesting.

The style of writing is superb. Usually, I don't like it when tenses and, heaven forbid, pronouns, are changed between perspectives, but it fits right at home here, making an easy distinction between past and present for the reader. The descriptions just suck you right in, and flow effortlessly from page to page. It distracted from the major problem Orphan Train had, which was the story.

I know it's hard to be original, but the characterization and plotting was just too predictable. There was little the author could add to the misunderstood orphan character. The story relied heavily on tropes, and the formula was all too easy to spot. By the end of the first half, I had to put it down or risk tearing open my lips from yawning so much.

The rage Molly feels is so overwhelming she sees spots before her eyes. For more than four hundred years Indians were deceived, corralled, forced onto small pieces of land and discriminated against, called dirty Indians, injuns, red-skins, savages. They couldn't get jobs or buy homes. Would it compromise her probationary status to strangle this imbecile? 

I'll give points for diversity, especially for showing and taking a stand against discrimination, but I'm not sure about feminism. While both Molly and Vivian are headstrong, they have few positive relationships with the women around them, especially in the first half of the novel. The latter are generally domineering, which is shown in a negative light. The men are portrayed as much nicer, their only faults being scatterbrained and easy to push over.

Three of the kids are in the room with me, huddled like sheep.

Molly and especially Vivian compare people to herds of animals often, such as cows, dogs, and even mice. Honestly, I felt really uncomfortable about the whole thing.

Vivian puts her foot on the first step and stumbles slightly...

"I'm all right!" Vivian says, grasping the rail.

Molly slips an arm around her waist. "Of course you are." she whispers. Her voice is steady, though her heart is so full it aches. "And I'm right here behind you."

Overall, the Orphan Train felt too preachy for me to fully enjoy. There was always one mindless tragedy after another. It ends sort of happily, despite having the characters lose so much throughout the whole thing that they always sound hollow in their narrative. While touching, the conclusion was anti-climactic, and the events leading up to it seemed glossed over, as if the author didn't know how to finish it off. I know it's Vivian's story, but Molly was left high and dry.

Does she break out of her shell? Does Terry, the mother of her boyfriend, ever approve of her? Does she just age out of the foster system, without a family? Does Vivian eventually adopt her?

At least give us some hints to tie up those loose ends!

Unspoken

Author: Sarah Rees Brennan
Series: The Lynburn Legacy, #1
Publisher: Random House
Release Date: September 11, 2012

Kami Glass loves someone she's never met... a boy she's talked to in her head ever since she was born. She wasn't silent about her imaginary friend during her childhood, and is thus a bit of an outsider in her sleepy English town of Sorry-in-the-Vale. Still, Kami hasn't suffered too much from not fitting in. She has a best friend, runs the school newspaper, and is only occasionally caught talking to herself. Her life is in order, just the way she likes it, despite the voice in her head.

But all that changes when the Lynburns return.

The Lynburn family has owned the spectacular and sinister manor that overlooks Sorry-in-the-Vale for centuries. The mysterious twin sisters who abandoned their ancestral home a generation ago are back, along with their teenage sons, Jared and Ash, one of whom is eerily familiar to Kami. Kami is not one to shy away from the unknown—in fact, she's determined to find answers for all the questions Sorry-in-the-Vale is suddenly posing. Who is responsible for the bloody deeds in the depths of the woods? What is her own mother hiding? And now that her imaginary friend has become a real boy, does she still love him? Does she hate him? Can she trust him?

Sarah Rees Brennan brings Gothic romance kicking and screaming into the twenty-first century with a heroine who can take care of herself, a boy who needs to be saved, and the magical forces that bring them together and tear them apart.

Witty, insightful, and definitely not one to mess with—these words can describe our main characters here perfectly. From Angela, Kami's best friend who hates everyone, to Jared's aunt Lillian, who thinks she's the queen of every blade of grass in Sorry-in-the-Vale, each are entirely likeable characters with kickass attitudes. I just want to applaud Unspoken for its excellent cast, complete with caring, non-absentee family and friends. Bonus points given for having a non-offensive portrayal of Asians and LGBT characters, with main roles to top it off!

"In love. That's how it sounds, doesn't it? His heart is my heart, nobody can ever take him away from me, I keep him in here!" [Kami] thumped her breastbone, so hard it hurt. "People say stuff like that but they don't mean it: they mean they're in love. All except me. I mean it." 

Kami and Jared have no secrets. Their minds have been latched together since the day they were born. For Kami, Jared was her imaginary friend, one she cherished and refused to let go. For Jared, in a household where he was hated and abused, Kami was something more. When he would get sick every fall and be confined to the space of his bed, she was there. When his father would beat him and his mother after drowning himself in bottles of alcohol, she was there. When he ran away from home and was forced to live on the streets because he had nowhere else to go, she was there. When his mother wrongly sent him to jail for killing his father after he decided to come back, she was there. Kami was his steady beacon of light that kept him sane in the darkest of times.

But given their unique and impossible circumstances beyond their control, how can you tell if they are more than friends and actually in love? Despite having learned to "build walls" between each other, it's a constant struggle to keep all their thoughts and emotions from slipping past it. Which ones are hers and which ones are his? What if it's none of theirs at all and just an unfortunate downside to their connection? Without their mental link, would they have been something special? Only time apart can tell.

If they could only bring themselves to sever the connection.

Or more importantly, survive long enough to stop a certain murderous sorcerer in town.

Ms. Brennan deliberately uses almost every trope expected of the young adult genre, and turns each and every one of them on its head. The characters may be shaped from cookie-cutters, but I love it when an author is able to make them grow beyond theirs. Unspoken isn't afraid to show the dark side of Sorry-in-the-Vale, its residents, and the secrets they keep. It isn't afraid to poke fun at the absurdness of some personas and situations as well.

"A leather jacket," Kami said as he shrugged into it. "Aren't you trying a little too hard to play into certain bad boy cliches?"

"Nah," said Jared. "You're thinking about black leather. Black leather's for bad boys. It's all in the color. You wouldn't think I was a bad boy if I was wearing a pink leather jacket."

"That's true," Kami said. "What I would think of you, I do not know. So what does brown leather mean, then?"

"I'm going for manly," Jared said. "Maybe a little rugged."

"It's bits of dead cow; don't ask it to perform miracles."

However, its brand of humor was sometimes a problem for me. My biggest complaint is that I wished the characters were more serious in situations that, well, demanded it. The first part of the novel is filled with many silly, one-liner jokes that are more often out-of-place than humorous. I can't help but feel they even go too well. Take a look at this particular quip from Kami's father. Note that this is the first thing he says while visiting Kami in the hospital after she was attacked and nearly killed by an unknown assailant.

"Kami, I know all the other kids are throwing themselves down wells now, but your mother and I have a firm policy of no danger sports until you're eighteen."

Although I haven't liked Unspoken as much as I'd wanted, being just before the line of love, I've gotta admit Ms. Brennan has a talent for weaving together her mysterious, hilarious, frightening, adorable, and heart-breaking scenes. She also has a talent to keep me not guessing at all. I had absolutely no idea who was causing the murders of Sorry-in-the-Vale. Rare, since I'd like to think I'm an excellent arm-chair detective since I have at least one suspect in mind, which is almost always the culprit. The romance takes a backseat in this murder mystery. All-in-all, I would definitely Unspoken for anyone's shelves.