A Cold Legacy

Author: Megan Shepard
Series: The Madman's Daughter, #2
Publisher: Balzer + Bray
Release Date: January 27, 2015

After killing the men who tried to steal her father's research, Juliet—along with Montgomery, Lucy, Balthazar, and a deathly ill Edward—has escaped to a remote estate on the Scottish moors. Owned by the enigmatic Elizabeth von Stein, the mansion is full of mysteries and unexplained oddities: dead bodies in the basement, secret passages, and fortune-tellers who seem to know Juliet's secrets. Though it appears to be a safe haven, Juliet fears new dangers may be present within the manor's own walls.

Then Juliet uncovers the truth about the manor's long history of scientific experimentation—and her own intended role in it—forcing her to determine where the line falls between right and wrong, life and death, magic and science, and promises and secrets. And she must decide if she'll follow her father's dark footsteps or her mother's tragic ones, or whether she'll make her own.

With inspiration from Mary Shelley's Frankenstein, this breathless conclusion to the Madman's Daughter trilogy is about the things we'll sacrifice to save those we love—even our own humanity.

I can't remember how long I've put off finishing the Madman's Daughter trilogy, but I've finally done it. And what, might you ask, is the final verdict?

Eh, it's alright.

I feel like this book is sort of an attempt to right the wrongs in the previous books—and I can appreciate that—but it's not pulled off very well. There's a lot of noticeable repetition when it comes to themes, characterization, and writing in a way that doesn't feel unique. Juliet continues to whine about herself, Lucy keeps obsessing over Edward, and the list goes on.

At the very least, it's toned down much more than it was previously, and these issues are addressed in a more satisfying matter. If I had to give an example that wasn't spoiler-y, I'd say Lucy was a nicer character. I could understand her thinking better with her transition from a socialite to an fugitive. I still didn't root for her relationship with Edward, but I was more tolerant towards it.

Most of Juliet's problems seem to stem from her passing off her own suspicions, which was very annoying. It was hard for me to suspend my disbelief when it seemed like their conflicts could be solved much easier. Everything felt so long and drawn out that I found myself eager to hurry towards the end.

I could give the author points for a few things: Baltazar is still a lovable cinnamon roll. Jack Serra was the highlight out of the whole cast, although the female side characters, such as Moira, McKinna, and Elizabeth, were pretty great. I loved the observatory and Ballentyne being a place for disabled girls. There was a powerful message about identity and coming-of-age, which I thought was fit in splendidly. Keeping my personal taste aside and the story in mind, A Cold Legacy is an almost perfect conclusion.